Last summer we traveled to Gander, Newfoundland, Canada to see "Come From Away," the hit Broadway musical. If you have seen the show, you know it has all the feels. One moment you are crying, then something happens that generates a big belly laugh. You remember where you were on that fateful day. Tears streamed from my eyes the moment they chanted Welcome to the Rock until they were taking bows. The emotions were extra high sitting in the auditorium knowing some of the theater goers were in Gander on September 11, 2001 helping strangers who turned into friends and then family over the course of five emotional days.
I thought that was a once in a lifetime experience. After all, how can you top that?
Then I learned "Come From Away" was on Paper Mill Playhouse's 2025-26 schedule. Even better, they announced there would be a talkback with the real life inspirations behind the characters.
The show was fabulous. Unlike other times when I see a different actor in a role, I had no troubles making the shift. I was mesmerized. I kept anticipating lines and wondering how the staging would differ from either Gander or Broadway. The set is a lot busier with suitcases piled all over the place -- some of which are used as airplane seats and in other ways. Here is a link to the original Broadway website with pictures of the set. They used mismatched chairs and a seemingly simple background, though I am sure it was more complicated than it looked to my eyes. (I'm not sharing the image directly because it is copywrite protected.)
This is a picture I took in Gander in last summer:
Simple in a different way. The quilt in the background was lovingly made by locals square by square. Extra squares were throughout the theater.
The set at Paper Mill Playhouse is much more complicated. Even using binoculars, from the second to last row I could not figure out where to look. There are pictures on the sides too small to appreciate. A staircase that is used periodically, sometimes as a bus, sometimes as a flight of stairs. It showed me how the same basic information can be transformed and reimagined. Something I am learning as my role of theater reviewer for the Perry Awards (no, I did not review this play as it is professional theater). Over the past year I've learned to notice the technical side of theater, not only notice, but appreciate the thought that goes into every decision big and small.
I also had flashbacks to the real places that inspired the show, some of which we saw the next day.
The real magic came after the show. I love theater add-ons, especially talkbacks. For this series, Paper Mill Playhouse is offering talkbacks after two performances: once with the actors and this time with the real "come from aways."
One the show was over and people left, we moved from the mezzanine to the orchestra section. Not long after we sat, the freshly scrubbed actors entered and sat in the rows behind us. They, too, wanted to hear what they had to say.
Soon Kevin Tuerff and five plane people entered the stage along with two people from Paper Mill Playhouse. I trust Paper Mill will post pictures from the day and list the names of the participants. I did not bring my notebook, hence there will be mistakes in my narrative.
Let me backtrack a step. While we were in Gander, I purchased Kevin's book "Channel of Peace: Stranded in Gander on 9/11" from Dolly, the owner of an independent bookstore located in a strip mall near our hotel. (Thank you, Kevin, for having an author page I can link to rather than Amazon.) A couple of days ago I remembered the book and decided to read it before the show. Even better, I remembered to bring the book with me and patiently waited for him to sign it. The book was for sale at the theater, but this gave me a chance to read it and be prepared for the talkback.
Kevin has now seen "Come From Away" 117 times. Years ago we spoke with a security guard outside the "Come From Away" who said the real life Beverly Bass, the pilot representing pilots in the show, has seen it over 100 times. This December 2021 story said she has seen it 164 times. I wonder what it is like to have your life turned into a Broadway musical. Would I want to see it? Would I want to bring friends and family?
![]() |
| I even brought a pen, which came in handy |
Kevin T. is one of the two gay Kevins -- the only who owns an environmental company. In the show he is from Los Angeles, in real life he is from Texas.
Sharing the stage with Kevin (sporting his trademark "gay lumberjack" plaid shirt, were Tom, Carol, ?, Maureen, and Sue. (I'll correct names after I see what Paper Mill posts.)
Tom's story is transformed into the character of Bob, a black man from Queens who is afraid he will be shot for stealing bar-b-cues to take to the community center at the request of his host, the mayor. Tom agreed that was true. He and the mayor are still great friends and have been to each other's homes drinking each other's Irish whiskey.
Carol (?) said it took her a few years to connect that she and Tom are the two people in Bev's cockpit when Bev hears news from the United States. She and the other women are not specific characters, unlike Kevin and Tom. As depicted in the book, Maureen and Sue are gay women who bonded with the Kevins. The four of the them were unsure how they would be treated in Gander, only to be welcomed with open arms. Maureen and Sue have been back about a dozen time, often staying with a couple they met in 2001 who lived across the street from the shelter where they were housed with the Kevins. They are planning a return for the 25th anniversary this September.
As a bonus, I got to meet Michael Rubinoff, the originating producer of "Come From Away." When I told Jill (the director of the Gander production of "Come from Away" she said to keep an eye out for Michael. She had shared my blog post with him. As luck would have it, the orchestra seats we moved to were about six seats away from him during the talkback. As people left, I made my way over to introduce myself. His eyes lit up and he told me he loved my blog. Maybe I'm exaggerating as much as Annette does when she dreams about the French pilot, but that's my story and I'm sticking with it. We posed for a picture. In any case, Jill told him I'd be there and he genuinely seemed glad to meet me.Between Kevin and Michael, I left star struck. This was my fourth time seeing a show. I can't imagine another production topping this one, but never say never.
"Come From Away" opens runs through March 1. Tickets are available HERE.

