I remember nearly a decade ago when I went to my first Broadway double header. I felt that was the ultimate in decadence. Since then we've come to appreciate there is a cost to going into New York City from Central Jersey, so we might as well make the most of the day. In other words, we actively seek out two shows in a day.
After seeing Suffs a couple of years ago I met a woman from out of town in the Stage Door crowd who said she once saw FOUR shows in one day. To be fair, one was a late night jazz cabaret. So when the opportunity to see THREE shows in one day, I decided to jump on it.
The primary purpose for going into New York City was to see the award winning revival of Ragtime. Even from the last row, it was obvious Joshua Henry really earned his Tony award.
After we bought our tickets we learned that 59e59 was hosting their annual East to Edinburg festival where playwrights have the opportunity to try out their shows before they go to the Edinburg Fringe Festival in August.
After seeing Ragtime, we dashed to the Whole Foods on the Columbus Circle for a sandwich before racing past Central Park to arrive at the theater. It was quite impressive how the pieces fell into place.
Our first fringe show was A Play on Words. During the pre-show announcement the audience was told the actors may call for "line" because the show was being rewritten that afternoon. The show is about two middle aged men who are great friends with each other. They have a one hour debate about the most minute semantics in such a fast-paced dialogue I have no idea how they could learn the lines, especially ones rewritten hours earlier.
Our second fringe show was The Misfortune of a Spy and Her Mystic starring three women: a spy, a mystic, and the spy's supervisor. The show ended a bit ambiguously, which led Don and I to talking to the playwright afterwards. Unlike the first show, which I felt at an hour felt too long, I can see this show being fleshed out and performed on bigger stages.
In any case, if either of these shows make their way to Broadway (or any larger stage), we'll be able to say we saw it at 59e59 first.