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Sunday, March 26, 2023
Philly's Love Run
Saturday, March 25, 2023
"Dear World"
As much as they say, "don't judge a book by its cover," one look at the artwork for the musical "Dear World" and I was hooked. Trouble was, the show had a limited run over gala weekend. I've learned not to make plans the days leading up to the gala, so that left the day after the gala as our only chance to see it. Fortunately, they had two performances on Sunday: 2 pm and 7 pm. Go into New York City early the day after a late night, or late and have two late nights in a row?
That was the dilemma.
We opted for the 7 pm show, which allowed us to go to church in the morning to kick off its 325th celebration with a worship service featuring elements of 17th century worship -- which, fortunately for modern ears, did not include a 45-60 minute sermon.
After church we drove to Jersey City and took the PATH train to Christopher Street
station where we walked around Little Island and along the High Line before having dinner at The Counter, and finding a table to enjoy a cannoli purchased on impulse across the street from the New York City Center.
"Dear World" is part of the Encore! series of shows not performed very often -- usually for good reason. This show was written by Jerome Lawrence and Robert E. Lee, with music by Jerry Herman -- in the late 1960's this team had "Hello, Dolly" and "Mame" running on Broadway at the same time as "Dear World." "Dear World" starred Angela Lansbury (who won a Tony for this role) and should have been a success, and Countess Auriela should have become as famous a name as Dolly Levi and Mame Dennis. Alas, it was not a flop, but it was also not
a success. Over the years the script has been reworked to try to make some sense out of it. On the trip home I read the Wikipedia version of the plot to Don who said he didn't get all that out of the show. It needs some more work.
Last year "Into the Woods" appeared as a two-week Encores! show. It was so popular it opened a few weeks later on Broadway, which is when we saw it. By the time we heard about their limited run at the New York City Center it was too late to get tickets.
The Encores! is a series of three shows performed on stage with a full orchestra behind them. The whole show is put together in 10 days, and performed over a long weekend. It is a whirlwind! They only have two days to build and paint the set, and limited time to learn lines, songs, music, staging, etc. It is insane! For the show we saw, Donna Murphy, the lead, caught COVID and missed half of the rehearsals. As a result, she had her script in hand for some of the show (even on the last performance). Reading the comments on a FaceBook group (I know -- never read the comments) people either found it distracting or magical. They found a way to make the script almost feel like another character. It floated away from her when not needed, and magically appeared when needed. A comment made by someone more in the know than mine was that it used to be typical for the actors to be on book since the rehearsal period is so short.
What I found almost as charming as the show was the audience. We sat in the
nosebleed seats. I had a great pre-show conversation with the stranger next to me. He kept bumping into his friends. I have a feeling if we return to a future Encores! performance and sit in the same general area, we'll see him again. Though, he did say he only bought the tickets a week earlier (same as when we bought our tickets), and it is a pretty large venue. He bumped into like-minded friends, some of whom had the foresight to bring binocular - brilliant! I should look into that for the next time we go for the cheap seats, which will likely be the next time we see a Broadway show. My seatmate and I agreed we'd rather pay less for a ticket and see more shows than pay more for a ticket and see less shows.
A quick note on the theater, the New York City Center began its life as a Shriner's Temple in the early 1920s. When they could no longer pay their taxes during the Depression, NYC took over the building. In 1943 then-Mayor Fiorello LaGuardia converted it into a cultural center. It still retains a hint of the look of a Shriner's temple. The intricate tilework was a treat to study. Now that we know about them, we hope to see more shows at this venue.
Sunday, March 19, 2023
Worlds Collide
House #2: the family still lives there
I look forward to returning to Belgium to see my host families and reconnect with my host son.
Saturday, March 4, 2023
Disney 100 Exhibit at the Franklin Institute
I knew Disney Theme Parks would be celebrating the 100th anniversary of the beginning of the Walt Disney Company (Disney always loves a celebration). What I didn't realize until reading DAPS's FaceBook post (which referenced his blog post) was that the celebration includes a special exhibit at the Franklin Institute in Philadelphia. While part of me would love to return to Disneyland for the celebration, I know it is not going to happen. I ache for the Disneyland that celebrated its 50th anniversary in 2005 when we wandered the park with 3-year-old Ashley in costume and the character interaction was magical. Things changed. The "hidden secret" of the early 2000s is now just as crowded all-year round as Walt Disney World was at the time. That and our travel dreams are taking us East towards Europe instead of the West Coast.
The exhibit opened at the Franklin Institute on February 18. Looks like it is running through August 26. Tickets are $25 for the museum + $25 for the special exhibit, or $25 to see the special exhibit in the evening (without the rest of the museum). As I said to people, much cheaper than a trip to California. We arrived early hoping to be let in early. No dice ... timed tickets mean timed tickets. Hang out near the entrance so you can be within the first to walk in at your time slot. Seemed to take them 20 minutes to process the 6 pm group and we didn't want to lose precious time in a Disney line.
Before walking into the exhibit I was transported to Disneyland when I saw these
two women cosplaying different stages of Aurora's life. Though we saw many Disney sweatshirts and other gear, they were the only cosplayers we noticed.
The exhibit opens with a hologram of Walt Disney. It is jaw dropping. His speech only lasts a minute, but it is long enough to teleport you to the past.
Due to impatience and poor planning on my part (impatience in that I really wanted to see it as soon as I could, poor planning in that I didn't buy tickets when I first heard about it), we were only able to get the last time slot for the day -- 6:30 PM, with the museum closing at 8. I had been told it takes anywhere from one to two hours to go through, depending on how much of a Disney fan you are. After watching Walt speak, I didn't have the patience to move at the pace of the person in front of me not knowing how much there was still to see. The exhibit started with the early days when Walt first created Mickey Mouse.
My mind was racing ... how many rooms are there? How is it organized? What will I see? So Don and I moved away from the walls and moved to the end of the exhibit first. The room that felt like Main Street USA in Disneyland. The place where I fell most in love with all things Disney 18 years years ago.
After taking a few pictures, we knew how to pace ourselves, so we walked back to almost the beginning. (In hindsight, I should have returned to the very beginning to see Walt's speech, but I suspected I could find a link to it online later, and I did.) Though the rooms at the start were still crowded, being the last ones in meant no one else was being added to the exhibit. We took oodles of pictures, and swapped tales with other Disney fans.
If you want a solid review of the exhibit, read DAPs link above. His post has the stats and the details. I didn't read his blogpost or any other news beforehand. Now that I have, I'd like to return and enjoy the exhibit again. There is much that I missed, and much I didn't appreciate. There is just THAT MUCH to immerse yourself in to appreciate all of the details. Much like a day at Disneyland.
Following are a bunch of pictures of what stood out to me at the exhibit. Major Disney fans should see it for yourselves. Minor Disney fans, this should be enough.
Guessing game ... match the color palette with the character |
Glad someone kept this gem |
Walt Disney's nametag |
As I was walking past this scene from "Enchanted," I overheard a little girl say how much she doesn't like this movie. Ouch! I like it. |
Matterhorn bobsleds from before the refurbishment to make them safe. |
Same with Peter Pan. |
Minnie Mouse's dress from the 50th Anniversary celebration. It looks so small without her in it. |
Grandee use to say the "It's a Small World" dolls all reminded her of a mini-me. :) I don't see the resemblance, but I smile when I see them because they make me think of my grandmother. |
Love it! |
The Disney theater room was my second favorite (behind the one reminding me of Disneyland). |
Many rare artifacts, like Cinderella's slipper and Pinocchio. Helps to forget that they are really animated productions and should not have real items. |
Alice always makes me think of Ashley. |
This was in the movie section, but reminded me of riding the Carousel with Mary Poppins and Bert in Disneyland. |
A few weeks ago, Don and I saw the original Winnie the Pooh in New York City. |
Disney is the original master of marketing. |
Warms my heart someone saved all of this. |
Though the exhibit was to close at 8, and we were there until the end, we did not once feel rushed. There were plenty of people still enjoying the exhibit as we left.
Saying "hello" to Ben Franklin. |
As we left the museum it was a lovely evening weather-wise. I wasn't ready to hop in the car and go home so I googled "ice cream near me." Much to my surprise, the nearest ice cream place was only a quarter mile away.